Rich's Diving into the Wreck: Myth-Making
By: 
Linda Sue Grimes
Louis Zukofsky and the Objectified Poem: Semantic Properties of Formal Poetic Structure
By: Jim Benz
Masters' Hod Putt: Morally Equivalent at Last
By: Linda Sue Grimes
Kooser's Tattoo: Sagging Dagger-through-Heart
By: Linda Sue Grimes
Masters' The Hill: Where are Elmer, Herman, Bert, Tom and Charley
By: Linda Sue Grimes
Dickinson's Two Butterflies went out at Noon: A Mystical Flight
By: Linda Sue Grimes
Garrison's "Bach in the Subway": Drowning in Imagination
By: Matthew Birdsall
Bryant's The Gladness of Nature: As the Day Smiles
By: Linda Sue Grimes
Frost's Acquainted with the Night: The Neutrality of Time
By: Linda Sue Grimes
Richard Wilbur's Mind: Flying Through the Dark
By: Linda Sue Grimes
Joseph Brodsky's "A Polar Explorer": Making Decisions Without Choices
By: Matthew Birdsall
Oliver's Reckless Poem: Reincarnational Intimations
By: Linda Sue Grimes
Hayden's American Journal: The Quiddity of American Exceptionalism
By: Linda Sue Grimes
Donald Hall Chronicle of Causality: Coital Consequences
By: Matthew Birdsall
Levine's "Animals Are Passing From Our Lives": Who Has Dignity?
By: Matthew Birdsall
Angelou's Touched by an Angel: We, unaccustomed to courage
By: Linda Sue Grimes
Kunitz's "The Portrait": Father, Mother, Son are One
By: Matthew Birdsall
Kinnell's Blackberry Eating: Delicious Words on the Tongue
By: Linda Sue Grimes
By: Douglas Nordfors
Ted Kooser's "Tattoo": Even Ink Comes out in the Wash
By: Matthew Birdsall
By: David Todd
The Mountain by Robert Frost: What is the Farmer Hoping to Accomplish?
By: David Todd
Auden's The Unknown Citizen: Scathing Satire of Conformity
By: Matthew Birdsall
When Lilacs Last in the Door-Yard Bloom'd: A Short Commentary on Walt Whitman’s Poem
By: Paul-John Ramos
Kay Ryan's Home to Roost: A Clever, Little Ditty
By: Linda Sue Grimes
By: James Parsons
By: James Parsons
By: David Todd
Metaphors by Sylvia Plath Not Bitter and Gloomy: Plath's Fun Riddle is the Best of Pregnancy Poems
By: James Parsons
Neruda's Sonnet 73: You will perhaps recall that pointed man
By: Linda Sue Grimes
Brooks' the vacant lot: A Joyful Absence
By: Linda Sue Grimes
Edgar Allan Poe – Two Life and Death Poems: The Conqueror Worm and "Alone"
By: Martin G. Wood
David Kirby's "Monte": The Solution in the Mistake
By: Matthew Birdsall
Louise Gluck – Two Poems: Gretel in Darkness – Mock Orange – A Fable and an Ill-Fated Union
By: Martin G. Wood
Two Poems by George Washington: Young Love
By: Linda Sue Grimes
Collins' The Golden Years: Musing for Amusement
By: Linda Sue Grimes
Yogananda's Luther Burbank: A Tribute to Accomplishment
By: Linda Sue Grimes
Carl Sandburg – Four Autumn Poems: Under the Harvest Moon Through Autumn Movement
By: Martin G. Wood
Jack Myers's "Blindsided": Saving Face in the Face of Adversity
By: Matthew Birdsall
Hughes' Night Funeral in Harlem: A Question of Love
By: Linda Sue Grimes
By: Douglas Nordfors
Frost and the Versanelle: Master of Form
By: Linda Sue Grimes
James Wright's "Beginning": Lean on What You Know
By: Matthew Birdsall
Dickinson's Color—Caste—Denomination: The Futility of Human Classification
By: Linda Sue Grimes
Winch's Social Security: No Safety Nowadays
By: Linda Sue Grimes
Tony Hoagland's "Leaving Yourself Behind": The Humor of Gravity
By: Matthew Birdsall
Frost's The Freedom of the Moon: The Greatness of Human Free Will
By: Linda Sue Grimes
Billy Collins's Aubade: Who's Listening at Dawn?
By: Matthew Birdsall
Dickinson's I measure every Grief I meet: The Way of Suffering
By: Linda Sue Grimes
Dickinson's After great pain: A Sculpture of Suffering
By: Linda Sue Grimes
The Mind-Body Problem is a Joy: Katha Pollitt's New Book of Poetry is a Must Read
By: Douglas Nordfors
Charles Simic's Fork: Portrayals of Violence in Contemporary Poetry
By: Matthew Van Cura
Stephen Dobyns's Uprising: A Call to Harms
By: Matthew Birdsall
Elegy and Celebration in the Napa Valley: A Reading by Inaugural Poet Elizabeth Alexander
By: Michael Waterson
By: David Todd
The Moose by Elizabeth Bishop: Analysis of Figurative Language in Bishop’s Poem
By: Jeris Swanhorst
Dickinson's As imperceptibly as grief: Musing into Beauty
By: Linda Sue Grimes
Review – The Notebooks of Robert Frost: Insight Into his Character, Poetry, and Thoughts
By: David Todd
Dunn's "Tucson": The Fate of Desire
By: Matthew Birdsall
Johnson's Mother Night: God as Divine Mother
By: Linda Sue Grimes
By: Ann Silverthorn
The Rise, Fall, and Rise of Robinson Jeffers: His Unusual Legacy From Tamar to The Double Axe
By: Paul-John Ramos
Rules of Sleep: Do Bodies at Rest Ever Stop?
By: Matthew Birdsall
By: David Todd
Ferlinghetti's In Goya's Greatest Scenes We Seem: The Art of Exaggeration
By: Linda Sue Grimes
The Death of the Hired Man – an Overview: Robert Frost Shows His Skill in Conversational Blank Verse
By: David Todd
By: David Todd
Simic's My Shoes: Post-postmodern Trivial Nonsense
By: Linda Sue Grimes
By: David Todd
Wilbur's Mind: Flying Thoughts
By: Matthew Birdsall
By: Ryan Werner
Dickinson's There is another sky: Another World Created by Art
By: Linda Sue Grimes
Whitman's Song of the Banner at Daybreak: The Patriot’s Symbol
By: Linda Sue Grimes
Word Choices Distinguish Into My Own: Robert Frost Demonstrates Mastery of More Poetic Devices
By: David Todd
Imagery and Metaphor in Into My Own: Robert Frost's Poetic Techniques Enhance the Eternal Message
By: David Todd
Delmore Schwartz is Worth Another Look: The Once Famous Poet Seems to Have Disappeared – Why?
By: Douglas Nordfors
Robert Frost's Into My Own: An Overview of One of Frost’s Early Poems
By: David Todd
The Love Song of J. Alfred Prufrock: T.S. Eliot's Imagery and Use of Description in His Poetry
By: Margaret Langner
Scary Movies – A Poem: Kim Addonizio's Chilling Homage to Cinema That Haunts the Soul
By: Martin G. Wood
By: Margaret Langner
Charles Simic's Empire of Dreams: Character Without Compromise
By: Matthew Birdsall
Simic's Empire of Dreams: Resilient Character
By: Matthew Birdsall
Sandburg's Chicago: A Hulking Man of Steel
By: Linda Sue Grimes
Robert Frost's Acquainted With the Night: Imagery, Themes, and Meaning in Frost’s Poem
By: Jeris Swanhorst
Edgar Allan Poe's Annabel Lee: Death Rimes With Love
By: Linda Sue Grimes
Turner's Here, Bullet: Fear and Transformation
By: Linda Sue Grimes
Poet for June – James Weldon Johnson: Listen, Lord A Prayer
By: Linda Sue Grimes
Frost's A Girl's Garden: Memory Lane
By: Linda Sue Grimes
Pictures From Brueghel: Ekphrastic and Other Poems by William Carlos Williams
Williams' Proletarian Portrait: Capitalizing on the Marxist Mystique
By: Linda Sue Grimes
By: Holly Thacker
Dobyns' How to Like It: After Outliving One’s Enthusiasm
By: Linda Sue Grimes
Tony Hoagland: American Poet and Writer
By: Sarah Scott
Understanding the Poetry of Robert Frost: An Introductory Guide to Analyzing Frost’s Poems
By: Jeris Swanhorst
Monica Youn – Two Poems: Stealing The Scream – Venice, Unaccompanied
By: Martin G. Wood
Mark Strand's Prediction: We Are Mortal
By: Matthew Birdsall
Bad River Road Follows Tradition: Debra Nystrom's Skillful Autobiographical Poetry
By: Douglas Nordfors
Book Review – Ultramarine by Raymond Carver: Subpar Poetry by the Late, Acclaimed Short-Story Writer
By: Ryan Werner
Updike's Evening Concert: Light and Sound Creatively Commingle
By: Matthew Birdsall
Dorothy Parker – Four Poems on Death: The Audacious Poet Harbored a Morbid Fascination
By: Martin G. Wood
